What are the streets that have no memories

What are the streets that have no memories

gerry 138

This unusual public art by Wolfgang Buttress is a 22-metre-high beacon and landmark on the way between Gloucester Docks and the city centre.  It symbolises a candle as a reference to the nearby Cathedral, or a flame to remind us of the many fires which have devastated the old buildings over the years.  The most recent fire was at Bakers Quay, which I wrote about a couple of years ago.

The structure is made of ‘Cor-ten’ steel, which I’m not a great fan of!  It seems to be cropping up all over the place on public buildings and local businesses such as restaurants.  It is supposedly a ‘high strength, low alloy, weldable structural steel, which possesses excellent weathering resistance due to the formation of a protective oxide coating which seals the surface’.  This is supposed to give an attractive finish, but to me it just looks rusty!  I think it is a case of the ‘king’s new clothes’.  I can’t imagine what my old dad would have thought of it, as he spent his life in the steel industry and presumably was not a great fan of rusty structures!

 The structure is etched with the words of Ivor Gurney’s poem, Requiem;

Requiem

Pour out your light, O stars, and do not hold
Your loveliest shining from earth’s outworn shell
Pure and cold your radiance – pure and cold
My dead friends face as well.

Requiem

Pour out your bounty moon of radiant shining
On all this shattered flesh, on all these quiet forms;
For these were slain, so quiet still reclining
In the noblest cause was ever waged with arms.

I have written about Ivor Gurney (1890-1937, a gifted composer, musician and poet, in a previous post. He was born in Gloucester and became a chorister at the Cathedral.  Later, he played the organ at the Mariners’ Chapel which I also wrote about recently.

While serving in the trenches during the first world war Ivor wrote very moving poetry about his experiences, and memories of his beloved Gloucestershire, the people, the history and the beauty of its nature.

A truly thought provoking poem written by Gurney is Thoughts of New England.  It really moves me as it speaks of the Gloucestershire people who emigrated to the New World. Three of my children emigrated, one to New England, so it has a special relevance to me. And, while I can see the appeal of a new life in a vast country with seemingly endless opportunities, like Gurney, I am tied to this tiny island country with it’s history and heritage.  I feel the weight of the past in the rivers, the buildings, the countryside and the people.  Hence the title I chose, which is a line from Gurney’s poem…

Thoughts of New England by Ivor Gurney

Gloucester streets walking in Autumn twilight,
Past Kineburgh’s cottage and old Raven Tavern,
That Hoare he kept, the Puritan, who tired
Or fired, and took a passage in the ‘Mayflower’,
Gloucester streets walking in frost-clear hour —
Of ‘Captains Courageous’ as a boy read, thinking,
And sea-ports, ships, and all that boy desired . . . .
Walt Whitman, history-scraps and Huck Finn’s cavern:
My thoughts went wondering how the New England Folk
Walked twilight now, watched stars steady or blinking —
If thoughts came Eastward as mine Westward went.
Of our ‘Citizen’, the ‘Massachusetts Times’,
And the boys crying them perhaps about their lanes.
But those no historied ground of Roman or Danes.

What are the streets that have no memories,
That are not underset by ancient rubbish?
Where gables overhang, and the quarters clang
From Cathedral towers, and the slops or dinner dish,
Hurried a man voids handily into the gutter:
And ghosts haunt the streets and of old troubles mutter.
Where steel and scarlet of the military
And routine use flash vivid momentarily;
Imagination stricken unaccountably
At full day into pictures not looked for even,
And children from their play by curfew driven.

Are there men of my blood over Atlantic
Wondering there what light is growing thick
By Severn and what real thing Cotswold is?
Are there men walking slow till tiredness leads in
To write or read till the night’s veil grows thin;
Insatiate desiring what hope would win?
Is the air clear there as Thoreau’s prose,
With frost and sparkling water, and day’s close
As mild, as soft as shows in ‘Evangeline’?
(Since all verse from the air or earth does win).

Do they hear tell of Domesday Book, and not
Think of this Gloucester where the scrivener wrote
Command of reeves first set their lists to begin?
Do they wish walk at evening where the earls went in
And William: Are there not crowns of England old
That first in Gloucester’s Abbey showed their gold?
Can villas contain man in unloving hold
As here the cornered, the nooked low-ceilinged beetle-browed
Houses cloak man in; or the strict thoroughfares
Stone or asphalt-paved ally to man?

Are there great joys in April her high days
For those who cannot high imaginations see
Of other men builded, stirred to a great praise?
Cotswold earthing profound for white material,
Masses of stone gone slender as a silver birch,
Upwards in dazzle to an arching azure.

O where in the new towns shall recompense come,
For the market-days, the week-end trouble without measure,
The crowded four ways and cattle markets boom,
And country faces seen often with so much pleasure?

Can New England think deep thoughts of her bye-ways,
Is Abana and Pharpar a balance for
Severn receiving Avon, at her knot of highways,
Her Abbey township, beneath so high a cloud floor?

But nevertheless one would go very willingly
At the year’s turn, where Washington or Lincoln walked,
Or praise ‘Drum Taps’ or ‘This Compost’, and hear talked
Speech of Lowell, or Hawthorne, or Holmes and be
Pleased with citizenship of Gloucester or Worcester
And companionship of veterans or veteran’s sons
Of the Wilderness or Richmond, see the old guns
That set Chattanooga’s thronged woods astir;
Or woke terror in steadfastness with red anger.

But not for longer than the strangeness lasted.
Severn yet calls not to be resisted:
And the mix of Dane thoughts, Roman, with Middle-Age
Calls all love out to mark on any page.

The glory of Peter’s Abbey high up in Summer,
Or low in Winter’s gloom, and a wavering shape,
Are more than is ever seen by foreign comer
To Connecticut, or Staten or Providence with its cape,
Being loveliness and history and height in one.

And there is nothing uprooted that is not changed.
Better to stay and wonder in the half light
How New England saunters where Kipling loved and ranged, so
And watch the starling flocks in first autumn flight.

The New World has qualities its own,
But the Old not yet decrepit or withered is grown,
And brick and timber of age five centuries known
Are consolation for poverty enough
Against New York, where they say Opera is brilliant,
And the byeways with five dollar notes are strown.
The stuff of Liberty is a varying stuff,
But from Grant’s men. Lee’s men, nobleness should never want.

Here are some of my photos of historic Gloucester to enjoy…

 

 

 

 

Stained Glass Window in memory of Ivor Gurney, WW1 Composer and Poet of Gloucestershire

Stained Glass Window in memory of Ivor Gurney, WW1 Composer and Poet of Gloucestershire

 

Ivor Gurney Window by Denny 3Ivor Gurney Window by Denny 10

In Gloucester Cathedral there is a new stained glass window created by Tom Denny, which is a memorial to the Gloucestershire poet, Ivor Gurney.  Like Will Harvey, whom I have written about before, he was a pupil and chorister at the Cathedral school before joining the Gloucestershire Regiment to serve in the First World War.  Indeed, they were great friends.  Gurney was a talented musician firstly, but in the thick of war, poetry became his creative outlet.   Like Will Harvey  he survived the war but was drastically changed by it.  So much so that his fragile mental health was totally destroyed, and he spent many years in a mental asylum where he eventually died before he was 50.  Gurney is buried at Twigworth, where his gravestone commemorates him as ‘poet composer of the Severn and Somme’.

Gurney’s poetry is beautiful and reflects his love for the Cotswolds, the countryside and the beauty of nature.  I’d like to share 2 of them with you that touch me deeply for different reasons.

Firstly, To His Love which is a poem thought to be written by Ivor Gurney when he thought his friend Will Harvey had been killed.

To His Love’

He’s gone, and all our plans
Are useless indeed.
We’ll walk no more on Cotswolds
Where the sheep feed
Quietly and take no heed.

His body that was so quick
Is not as you
Knew it, on Severn River
Under the blue
Driving our small boat through.

You would not know him now…
But still he died
Nobly, so cover him over
With violets of pride
Purple from Severn side.

Cover him, cover him soon!
And with thick-set
Masses of memoried flowers-
Hide that red wet
Thing I must somehow forget.

The second is The Bugle, written after Gurney returned from the war, a sadder and wiser man.  I include it as my grandfather was a bugler in WW1, and also because it speaks to me loudly of how ordinary life and commerce still goes on while soldiers suffer and die ‘out of sight, and out of mind.’ 

The Bugle

High over London
Victory floats
And high, high, high,
Harsh bugle notes
Rend and embronze the air.
Triumph is there
With sombre sunbeams mixed of Autumn rare.
Over and over the loud brass makes its cry,
Summons to exultancy
Of past in Victory.
Yet in the grey street women void of grace
Chatter of trifles,
Hurry to barter, wander aimlessly
The heedless town,
Men lose their souls in care of business,
As men had not been mown
Like corn swathes East of Ypres or the Somme
Never again home
Or beauty most beloved to see, for that
London Town might still be busy at
Its sordid cares
Traffic of wares.
O Town, O Town
In soldiers’ faces one might see the fear
That once again they should be called to bear
Arms, and to save England from her own.

There are many learned websites with information about Ivor Gurney, but my wish today is simply to share the beauty and poignancy of the new window and explain a little of its background.

Ivor Gurney Window by Denny 2

There are 8 lights or panes overall and each reflects something from the life and writing of Ivor Gurney.  The notes are a precis of those that appear in the Cathedral by the window.

Light 1 ~ Glimmering Dusk ~ a figure walks at dusk in a Vale landscape.  there are dark pools of rain on the white road and May Hill can be seen in the distance.

Windows 1 & 2

Light 2 ~ The Stone Breaker ~ In Flanders a chance encounter with some road menders reminds Gurney of a much earlier meeting (“Oh years ago and near forgot”), in the fresh beauty of a summer’s early morning, in a landscape of Vale orchards.

Light 3 ~ Brimscombe ~ Gurney remembers a night-time walk through the fir trees of the steep-sided Brimscombe valley near Stroud.  The “pure clemency” of the moment enables him to forget the “blackness and pain” of France.

Windows 3 & 4

Light 4 ~ Severn Meadows ~This was written in March 1917 at Caulaincourt.  As the sun sets over Severn meadows, a figure, in the shadow of a willow, looks back at the river and the willows.

Light 5 ~ Pain ~ Gurney recalls the grey-white Somme battlefield.

“Pain, pain continual; pain unending;….

Grey monotony lending

Weight to the grey skies, grey mud where goes

An army of grey bedraggled scarecrows in rows

Careless at last of cruellest Fate-sending.

Seeing pitiful eyes of men foredone,

Or horses shot, too tired to merely stir,

Dying in shell-holes both, slain by the mud.

…………………………………….

The amazed heart cries out to God.

Windows 5 & 6

Light 6 ~ To His Love ~ Probably drafted on the Somme battlefield, Gurney reacts to the news (false as it turns out) that his great friend, the poet Will Harvey, is presumed killed.  A couple walk on the Cotswold hills as their dead friend lies among the violets.

Light 7 ~ To God ~ In the intense suffering from mental illness, surely aggravated by his experiences on the battlefields, Gurney cries out for death, “I am praying for death, death, death”.

Windows 7 & 8

Light 8 ~ Song and Pain ~ A more optimistic end to the window as a figure emerges from an understanding of pain to enter “The House of Joy”.

As I stood and gazed at these incredibly beautiful but harrowing windows, there were people around me moved to tears by what Gurney had seen and suffered.  Tom Denny is a wonderful artist. He has captured and honoured Gurney’s genius, his love of Gloucestershire, and his suffering in that dreadful war and in his mental distress.

http://wp.me/p2gGsd-153

https://wordpress.com/post/heavenhappens.me/4977

http://www.ivorgurney.org.uk/biography.htm

http://movehimintothesun.wordpress.com/2011/04/22/to-his-love-ivor-gurney/